You just can’t keep a good ghost down, especially when she’s as smart and tart-tongued as Dorothy Parker. Ellen Meister resurrected the literary legend as a not-always-blithe spirit in 2013’s Farewell, Dorothy Parker and brings her back in a nifty follow-up Dorothy Parker Slept Here (Penguin/Putnam, digital galley). Mrs. Parker is still haunting the halls of the Algonquin Hotel, but she admits to being lonely since all her famous pals have elected to move on to the afterlife. She sets her sights on Ted Shriver, a famous writer brought down by a plagiarism scandal, who has holed up in the hotel with a brain tumor. If Mrs. Parker can get him to sign the magical guest book before he checks out, she’ll have a new drinking buddy. But bitter, irascible Shriver will have nothing to do with her or young TV producer Norah Wolfe, who desperately wants to interview him, unless, perhaps, they can help him with a few things. Shenanigans ensue in this appropriately witty and surprisingly sweet tale.
You binge watch Girls on HBO and then you feel sort of sad. Yes, you laughed, but you also cringed at the awkward hook-ups, the intense friendships, the dramatic highs, the despairing lows. Being a veteran of Sex and the City, you also know that grown-up girls also have emotionally messy lives. The women in Katherine Heiney’s bouyant collection of short stories, Single, Carefree, Mellow (Knopf, digital galley) are more likely to be married, anxious and faithless, but they’re a fun, frank bunch. Here’s wife and mother Nina in “Blue Heron Bridge,” caught up in an affair: “Oh, it was horrible to have a teenager’s emotions and a forty year old’s body. It was humliating. It was depressing. It was degrading. It made her feel alive to the very tips of her toes.” Myra, who appears in several stories, juggles her married French boss with her longtime boyfriend and his family. Friends support one another through boyfriend crises in “The Dive Bar” and “Thoughts of a Bridesmaid.” In “Cranberry Relish,” a woman tries to sort out failed expectations. “Josie thinks that the problem with being a writer is that you miss a lot of your life wondering if the things that happen to you are good enough to use in a story, and most of the time they’re not and you have to make shit up anyway.”
Jill Ciment’s Act of God: A Novel (Knopf Doubleday, digital galley) is a stylish mix of comedy and tragedy that reminds me of a the old saying “for want of a nail, the shoe was lost, etc., etc.” From the moment that 64-year-old identical twins Kat and Edith find the eerily glowing mushroom in their late mother’s Brooklyn townhouse, their lives, and those of their neighbors, quickly unravel. What turns out to be a peculiar toxic mold spawns one disaster after another, the contagion unwittingly spread by the twins, their actress landlady — who ignored Edith’s calls — and a runaway Russian au pair who was hiding in an upstairs closet. Soon, there are haz-mat units, condemned buildings, and community shelters for those who have nowhere else to go. It’s like one of those cheesy ’50 flicks where giant ants come out of the woodwork or maybe an episode of Dr. Who, but it’s also a scenario familiar from the wake of natural disasters like Superstorm Sandy and the Deepwater Horizon oil spill. Ciment has a light touch, but the cumulative effect of her pop-culture satire is poignant and provocative.
Start your summer reading early with Susan Mallery’s The Girls of Mischief Bay (Mira, digital galley), although her three friends are hardly girls. Nicole is the youngest at 30, owns a Pilates studio in a seaside California town and is married to a wanna-be screenwriter. Almost 40, Shannon has a successful career in finance but a poor record with men and relationships. Recently turned 50, Pam is happily married but wonders if Botox might keep her more youthful. When life becomes an obstacle race for each of the three, they turn to one another for help over the hurdles. Nicole feels her husband has lost interest in her and their 5-year-old son. Shannon’s new guy comes with emotional baggage and shared custody of two kids. Pam’s life is upended by a tragedy out of the blue. The novel, the first in a new series, has more in common with the domestic drama of Mallery’s Blackberry Island trilogy than her Fool’s Gold series of romances but should satisfy readers of both with its credible characters coping with life’s changes.
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