A spooky old house. Skeletons in the attic. Ghosts on the stairs. Two first-time novelists have gone gothic. I am so there.
Two young women’s family secrets intertwine in Eve Chase’s atmospheric Black Rabbit Hall (Putnam, digital galley). London schoolteacher Lorna Dunaway wants to hold her upcoming wedding in picturesque Cornwall, where her family vacationed when she was a child. Pencraw Hall calls out to her from a website, but its reality is altogether different. Black Rabbit Hall, as the locals call it, is sadly neglected, with ivy tugging on its crumbling walls, flowers pushing up from the floorboards, rainwater dripping from holes in the ceiling. Still, the elderly woman hovering over the premises tells Lorna it could be a charming venue and suggests she stay a couple of days.
Readers already know via an alternating storyline that Black Rabbit Hall was once the happy summer home of the Alton family. But in 1969, mother Nancy was killed in a riding accident, and the magical, carefree days ended for her grief-stricken husband and four children. Teenage Amber tries to cope with her angry twin Toby, young rascal Barney and baby sister Kitty, but things worsen when her father remarries an old friend Caroline, with a smile “like a paper cut” and an enigmatic teenage son Lucian. The stage is set for further tragedy, including forbidden love and treacherous lies.
Chase’s writing is seductive as she moves between Lorna learning about Black Rabbit Hall’s history and Amber living that very past. That the two story lines will merge is inevitable, but Chase keeps readers in suspense. If you like Kate Morton’s novels, book a trip to Black Rabbit Hall.
I have some reservations about Hester Young’s busy The Gates of Evangeline (Putnam, review copy), which oozes Southern gothic with its Louisiana plantation, abandoned sugar mill and ominous, gator-filled swamps. Narrator Charlotte “Charlie” Cates is a divorced journalist who, after the death of her four-year-old son from a brain aneurysm, has disturbing, strangely prescient dreams about young children needing her help. One such dream features a little boy in a boat adrift on a bayou, and when she arrives at the historic Evangeline plantation to research a true crime book, Charlie immediately recognizes the place. Could the little boy be young Gabriel Deveau, who disappeared from his bedroom in 1982 and was never seen again? Charlie immediately plunges into the family mystery, asking questions of ailing matriarch Hettie, secretive son Andre, his conniving sisters, and various members of the household — the too-handsome estate manager, the friendly young cook, and a visiting landscaper. She makes friends with the local sheriff and his wife, who are also grieving a child’s loss.
All this is well and good, and Young makes Charlie’s visions believable. Her often irrational behavior is another thing. She falls into bed and in love with a man with whom she has little in common and knows little about. She tackles witnesses head-on, leaps to conclusions and walks into traps. She’s also an elitist snob, constantly comparing her Northern lifestyle and sophistication to the uneducated Southern rubes she’s dealing with. This is supposed to be the first book in a trilogy, but I’m not sure I’d read a second unless Young quits condescending to readers and her characters with unneeded snippets of “dem and dose” dialect. Shame on her and her editor.
Open Book: I want to note that The Gates of Evangeline is a winter selection of the She Reads online book club, http://www.shereads.org. The web site is a great resource for readers and features reviews, author interviews, Q & As, and recommendations in a blog-post format. I’ve been an e-mail subscriber for five years now, receiving the posts by founders and authors Ariel Lawhon and Marybeth Whalen several times a week. I also recently joined the She Reads Blog Network, a group of book bloggers who review She Reads selections on their individual sites from time to time and link to She Reads. It’s a pleasure to be a part of this literary community. Check it out!
Black Rabbit Hall sounds like just my cup of Earl Grey. Thanks, Nancy!
Hi Nancy. I don’t normally go gothic (unless you’re talking the classics) but I do usually go for a good read (and if it’s southern, that’s a bonus). Thanks for sharing your reviews!