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Posts Tagged ‘Alice Quinn’

I need a break. Not from school or work or even the large orange cat determined to share my lap with the laptop. (Please move, Peach). No, I need a break from the willful ignorance and hypocrisy floating this way from Tallahassee, where the Florida Legislature is being lobbied by a conservative group that wants to ban certain books from public school readers. Again. Y’know, the books they find objectionable, ones by Toni Morrison, Frank McCourt, Anthony Burgess, Kate Chopin, among others. Yes, that’s the stench of censorship wafting across the Sunshine State. Where oh where are the orange blossoms of yesteryear? Like I said, I need a break, so I’m not going into my standard rant. Instead, I’m going to read some lovely books of my own choosing. I suggest you do the same, right after you read this story from the Tampa Bay Times, “Bills may foster bans on books.”  http://tinyurl.com/yypzeapk

There’s nothing like a good Gothic to make me forget my woes. An island castle, a missing bride, a hidden passage, a rare butterfly. It’s the latter that lures intrepid lepidopterist Veronica Speedwell to Cornwall in Deanna Raybourn’s witty A Dangerous Collaboration (Penguin Berkley, digital galley). She’s posing as the fiance of Tiberious, Viscount Templeton-Vane, who just happens to be the brother of Veronica’s fellow adventurer, Stoker. Her feelings for the dashing Stoker are as deliciously complicated as the secrets awaiting the three of them on St. Maddern’s Isle, where the beautiful Rosamund disappeared on her wedding day three years ago. Maybe a seance will reveal her whereabouts.

In The Stranger Diaries (Houghton Mifflin, digital galley), Elly Griffiths takes a break from her Ruth Galloway series to craft a modern Gothic that includes a classic ghost story. English teacher Clare Cassidy’s work on a biography of Victorian writer R.M. Holland is interrupted by the violent deaths of several of her colleagues in ways suggested by Holland’s most famous story, “The Stranger.” If that’s not weird enough, Clare finds someone has been leaving her messages in her diary. Add her teenage daughter’s new circle of friends, and you’ve got a chilly puzzle enhanced by excerpts from Holland’s horror tale.

leonAlthough Venetians love to gossip, Commissario Guido Brunetti usually pays no attention to the constant chatter. But in Donna Leon’s absorbing Unto Us a Son Is Given (Grove Atlantic. digital galley), Brunetti’s wealthy father-in-law asks him to investigate when he hears that his elderly art dealer friend Gonzalo plans to adopt a younger man as his sole heir. Gonzalo has said it’s his business and to stay out of it, but then the old man dies suddenly and a visiting friend organizing a memorial service is murdered in a Venetian hotel room. As usual, the procedural atmospherics complement Brunetti’s reflections on human nature, doubt and justice.

Although the title of Alice Quinn’s rousing historical novel The Huntress (Morrow, digital galley) refers to a ruthless Nazi war criminal, it also applies to the fascinating Nina Markova, who survived her encounter with the Huntress in war-torn Poland and is now bent on revenge. After the war, she is joined in her search by British war correspondent Ian and his sidekick, former American soldier Tony, who are tracking Nazis wanted for war crimes. Eventually, their stories will intersect with aspiring photographer Jordan McBride, who lives in Boston with her Austrian stepmother. The story moves back and forth between time periods and continents, but it’s Nina who kept me flipping pages. Her fierceness owes much to her childhood in the wilds of Siberia, which she uses to her advantage to learn to fly and then talk her way into the infamous regiment of female Russian bomber pilots known as “the Night Witches.” Her flying exploits, and those of her comrades, are terrifying and adrenaline-fueled, and they scar her forever. As in her last best-seller The Alice Network, Quinn has done her research, and facts bolster her fiction.

Flashback to February when I read several engrossing family dramas. In Tara Conklin’s The Last Romantics (Morrow, digital galley), the four Skinner siblings are all marked by the three-year interval they refer to as “the Pause.” It occurs when they are children and their father suddenly dies and their mother abdicates her role as parent because of mental illness. At just 11, Renee assumes most of the burden of caring for Caroline, Joe and Fiona, who narrates the story from advanced old age. Still, demons follow them into adulthood, where they face another tragedy that illuminates family ties. Anissa Gray’s affecting first novel, The Care and Feeding of Ravenously Hungry Girls (Penguin/Berkley, digital galley), is told through the alternating voices of the three Butler sisters. When pillars of the community Althea and her husband Proctor go on trial for scamming a local charity, middle sister Viola returns from Chicago to help younger sister Lillian care for Althea’s troubled twin teenagers, Kim and Baby Vi. But these strong sisters, whose backstories artfully unfold, also need to learn to care for themselves. Right after I read Nickolas Butler’s Little Faith (HarperCollins, digital galley), I read a newspaper story about parents arrested for withholding medical treatment from their sick child because of religious reasons. In Butler’s book, which gracefully chronicles one year in the life of a rural Wisconsin family, grandparents Lyle and Peg become concerned when their adopted daughter Shiloh becomes involved with a charismatic evangelist who convinces her that her five-year-old son Isaac is a budding faith healer. There’s further conflict when Isaac is diagnosed with diabetes, and Shiloh chooses prayer over medicine. The ensuing drama plays out thoughtfully, unlike a TV medical show that wraps up everything in an hour episode.

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The Russia of Joseph Kanon’s Defectors (Atria, digital galley via NetGalley) is the Soviet Union circa 1961, gray and grim as the Cold War. Even the Party faithful have to wait in long lines for food and depend on the black market for basic amenities. Simon Weeks has often wondered why his older brother Frank, a CIA golden boy, chose to defect in 1949. Was it money, ideology, gamesmanship? Now Frank has written his KGB-approved memoirs and asks Simon, who became a publisher after his brother’s defection ended his State Department career, to edit the manuscript. Simon discovers his brother is as charming and wily as ever, even though he is accompanied everywhere by a minder, and the restricted, isolated lifestyle has turned his beautiful wife Joanna into an alcoholic. They consort only with other defectors, from famous figures like Guy Burgess to anonymous research scientists. A recent death in the group is presumed a suicide. When Frank begins to show his hand, Simon senses something is up and must fall back on old tradecraft. Betrayal is in the air, murder in a cathedral.

Kanon, who has written spy thrillers set in Istanbul, Berlin and Los Alamos, is at the top of his game. Defectors offers suspense and atmosphere galore, but it also explores the perplexing nature of a double agent, as well as enduring questions of loyalty to family and country. A timely tale.

I didn’t know much about World War I spies beyond Mata Hari until I read Kate Quinn’s compelling The Alice Network (HarperCollins, digital galley via edelweiss). The title comes from the name of a real-life group of female agents who operated in France during the Great War. American college student Charlie St. Clair first learns about the network in 1947 when she tries to find her cousin Rose, who disappeared in Nazi-occupied France during the more recent war. Eve Gardiner, a reclusive, ill-tempered alcoholic and former Alice spy living in London, initially resists Charlie’s entreaty for help — she draws a gun on her — before setting out for France in her vintage roadster driven by charming ex-con Finn.

Quinn expertly propels parallel storylines, alternating between the 1947 road trip with its twists and dead ends, and Eve’s recruitment as a spy in 1915 and her dangerous work for the Alice network. Both stories, which eventually connect, are absorbing adventures, although Eve’s is the more harrowing as she becomes the unwilling mistress of a powerful German sympathizer. Still, Charlie also proves to be a resourceful, conflicted character with a not-so-little problem. Suspense increases as secrets come to light in both narratives. The Alice Network is sad and heart-breaking but also hopeful and redemptive.

In Mark Mills’ deft cat-and-mouse game of a thriller, Where Dead Men Meet (Blackstone Audio, digital galley via NetGalley), someone is trying to kill Luke Hamilton. Or it could be a case of mistaken identity in 1937 Paris, where Hamilton is assigned to the British Embassy. He is grieving at the news of the murder in England of Sister Agnes, the nun who took him in as an abandoned baby 25 years ago. Readers already know Sister Agnes’ murder is connected to the attempt on Luke’s life, but it is the appearance of the mysterious Bernard Fautrier who warns Luke he is in real danger.  The race — to escape the killers and to find out their motives — takes Luke to Nazi Germany, to neutral Switzerland, to enigmatic Venice. There are moments of exquisite tension, although the resolution of the main mystery comes a little too early. Still, complications ensue as table turns. Revenge is cold and deadly.

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