P.D. James’ The Mistletoe Murders was an unexpected holiday treat last year. This year, it’s Sleep No More (Knopf, digital galley), which collects six more tales from the late writer best known for her Adam Dalgliesh detective novels. No Dalgliesh in these stories, but readers will recognize James’ artful scene setting, elegant prose and ironic twists. “The Murder of Santa Claus” is a classic locked-room mystery told with a sly wink as writer Charles Mickledore looks back to Christmas 1939, when he was a lonely schoolboy shipped off to a relative’s country house. His tyrannical host lords it over his assorted guests until he is murdered shortly after making his post-midnight rounds as Santa. In “The Victim,” we know whodunit as a milk-toast librarian confesses to taking revenge on the new husband of his beautiful ex-wife. But the ending may surprise, as do those of “The Yo-Yo” and “A Most Desirable Resident,” in which murder is also seen as a means to an end. In “Mr. Millcroft’s Birthday,” a conniving octogenerian in a senior home turns the tables on his greedy heirs. And in the creepy “The Girl Who Loved Graveyards,” an orphan’s shadowy memories of her late father and grandmother are intertwined with her affinity for cemeteries. I guessed where this one was going, but the devil’s in the details. Brrrr…
Clea Simon immerses readers and her new series sleuth, music journalist Tara Winton, in the 1980s Boston club scene in the noir-tinged World Enough (Severn House, ARC). Tara once covered the city’s punk rock bands for fanzines that paid little but gave her needed access. Now working in a dull corporate communications job, Tara is drawn back to the heady, long-ago times when her former editor asks her to write a piece on Boston bands for his glossy city magazine. The assignment coincides with the accidental death of musician Frank Turcotte, although Tara wonders if her old friend, sober for 20 years, really just fell down the stairs. And could his death be connected to that of once rising star Chris Crack back in the day? She soon discovers that digging into the past can prove dangerous, but letting go just isn’t in her nature. Once a reporter, always a reporter. Simon knows what’s she writing about.
Actress Krysten Ritter is well-known for her roles on TV’s Breaking Bad and Marvel’s Jessica Jones, but I wouldn’t be surprised to see her playing the lead in a film adaptation of Bonfire (Crown, Archetype, digital galley). After all, Ritter wrote the book, and it’s easy to picture her as Chicago environmental lawyer Abby Williams, who returns to her Indiana hometown after 10 years to investigate its most influential employer. But looking into Optimal Plastics’ possible pollution of Barrows’ water supply and its ties to local government means Abby must confront her own past. Snubbed in high school by the popular set, Abby is rattled by her old classmates. The boy she once crushed on is now an Optimal spokesman, a former cheerleader is an assistant high school principal, a bad-boy slacker has become a responsible single dad. And then there’s Kaycee, Abby’s sometimes childhood friend, who was always at the center of things before she suddenly disappeared. Inevitably, Abby’s questions about Optimal lead to questions about Kaycee, but Ritter generates suspense and an air of immediacy with her present-tense narrative. Don’t wait for the movie.
So what are the chances of two crime novels being published within a month of each other, both featuring small-town police detectives named Gemma, each investigating the murder of a high school teacher? Nor do the similarities between Emily Littlejohn’s A Season to Lie (St. Martin’s/Minotaur, digital galley) and Sarah Bailey’s The Dark Lake (Grand Central, digital galley) end there. Both Gemmas have live-in boyfriends with whom they have a child, both face on-the-job challenges, both are attractive, determined and flawed. And both deal with bad weather, although that means different things to the detectives. Gemma Monroe (A Season to Lie) battles blizzards in Cedar Valley in Colorado, while Gemma Woodstock (The Dark Lake) has to worry about a Christmas heat wave and wildfires in the Australian town of Smithson. A Season to Lie is the second outing for Monroe, who was six months pregnant in Littlejohn’s Inherit the Bones. Now that baby Grace is three months old, her 
mom is hoping to ease back into work, but on her first night back, she and her partner discover a murdered man on the snowy campus of a private high school. The victim is famous author Delaware Fuente, a visiting lecturer using an alias while at Valley Academy. Fuente has other secrets, as do the close-knit townspeople who are split over the question of development by outsiders. There’s also an anonymous bully known as Grimm, who is terrorizing the academy students. And does another death mean a serial killer is at work? It’s a neatly plotted procedural. The Dark Lake, Bailey’s first novel, is more intricate in its secret-keeping. Gemma Woodstock went to high school with beautiful Rosalind Ryan, the popular drama teacher whose drowned body is found after opening night of her modernized version of Romeo and Juliet. Past collides with present as Gemma recalls the suicide of her high school boyfriend, whose younger brother is playing Romeo. Gemma also is juggling an affair with her married partner and her homelife with staid boyfriend Scott and toddler son Ben. Bailey alternates present-day events with Gemma’s flashbacks to high school and her rivalry with Rosalind. The time jumps make for an uneven pace as the investigation unfolds, but a nail-biting showdown atop a water tower offers a killer ending.
On a Clear Day I Can Read Forever 