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Posts Tagged ‘Brian McGilloway’

furstDecember, 1937. The snow is falling in New York City as a lawyer visiting from Paris looks over his shoulder to see  if he is being followed. It’s also snowing in Madrid as a middle-aged museum curator waits nervously to be questioned by the authorities. The two men’s fates are soon linked in the atmospheric Midnight in Europe (Random House, digital galley), in which Alan Furst once again illuminates ordinary people caught up in extraordinary times as Hitler’s shadow looms ever larger. Here, the Spanish Civil War serves as a precursor of what is to come, and Spanish emigre Christian Ferrar, who works for an international law firm in Paris, agrees to help the Spanish Republic obtain much-needed arms to fight Franco’s fascists. There is an eye-opening train journey through industrial Germany in the company of an arms dealer wanted by the Gestapo, and later a more harrowing trip to Odessa and Poland in which a train is hijacked. Moments of heart-in-your-throat terror alternate with scenes in Paris nightclubs and bedrooms that whisper of betrayal and romance. No one is better than Furst at evoking this midnight hour before war plunges Europe into darkness.

twisted

Readers of S. J. Bolton’s gripping Lacey Flint novels know that the secretive London detective rarely goes with the flow. In A Dark and Twisting Tide (St. Martin’s Press, digital galley), she’s again risking life and limb, first by “wild-swimming” in the Thames, where’s she’s living on a houseboat, and then by going after a serial killer who is leaving the shrouded, drowned corpses of young women for her to find. She’s also risking her heart, growing closer to cop Mark Joesbury, whose undercover work takes him away for days at a time. Lacey goes undercover, too, disguising herself as an Afghan refugee to try and find out more about a possible human-trafficking ring targeting the tight-lipped immigrant community. Old friends and new enemies complicate matters, and then a nightmare comes true when she finds herself once again at the mercy of the river and a relentless pursuer who swims like a mermaid and attacks like a shark.

alldayAlafair Burke’s complex new thriller All Day and a Night (HarperCollins, digital galley) takes it title from prison lingo for a life sentence with no parole. That’s what presumed serial killer Anthony Amaro has been serving the last 18 years, which gives him a solid alibi for the murder of a Brooklyn psychotherapist. But because the body has the signature of Amaro’s old kills, it leads to the D.A. and police ordering a “fresh look” at his case. Is a copycat at work or was Amaro wrongfully convicted in the first place? As Amaro’s celebrity lawyer argues to get him released, Burke’s series detective Ellie Hatcher and her partner begin an investigation that takes them back two decades to the murder of a handful of prostitutes in Utica. Also investigating, but for Amaro’s side, is young lawyer Carrie Blank, whose half-sister Donna was one of the victims. Both Ellie and Carrie have conflicted feelings that spill over into their personal lives as old secrets come to light and loyalties are tested. Coincidences abound, but Burke keeps tensions high until almost the very end.

vertigo

How well do you know Alfred Hitchcock’s Vertigo? You might want to refresh your memory before starting Martha Grimes’ clever Vertigo 42 (Scribner, digital galley), in which Scotland Yard’s Richard Jury makes some dizzying connections between murders old and new. After meeting widower Tom Williamson at Vertigo 42, a London bar atop a financial-district high-rise, Jury takes off for Devon to look into the death of Williamson’s wife Tess 17 years ago. Did she fall — as the police think — or was she pushed — as her husband believes? And what, if anything, does childless Tess’s death have to do with the death five years earlier of a schoolgirl who fell into the country estate’s empty swimming pool while her pals were playing hide-and-seek? Meanwhile, Jury’s visit to his pal Melrose Plant’s country home presents him with the puzzle of a lost dog and the death of a young woman who fell from a nearby tower. Grimes juggles the surfeit of plots and the quirky cast with her usual ease, tipping her hat to Hitchcock and to previous Jury tales (there are 22) while readers’ heads spin.

strangerDetective constable Maeve Kerrigan often finds her brilliant boss, DI Josh Derwent, crude and rude. But no way she thinks he’s a murderer. Still, in Jane Casey’s sterling The Stranger You Know (St. Martin’s digital galley), Kerrigan’s  on the inside in the investigation of a serial killer who kills attractive young women in their homes, but Derwent’s shut out by their superiors. Not only does he fit the profile of a trustworthy stranger a woman might invite in her home, he also was the prime suspect in the long-ago, unsolved murder of his classmate Angela Poole. The new crime scenes have an uncanny similarity to Angela’s. Still loyal to Derwent, a wary Maeve continues the search for the “Gentleman Killer,” even as a stalker from her past reappears. Or has the killer targeted her?

someoneBrian McGilloway returns to Derry, Northern Ireland for the second Lucy Black thriller to be published in this country this year, after Little Girl Lost. In Someone You Know (HarperCollins/Witness Impulse, digital galley), Lucy’s assignment to the public protection squad again brings her into a murder investigation when an at-risk teen is killed, her body tied to the railroad tracks. If the train hadn’t been delayed, it would have destroyed the crime scene, and the death slated as a suicide. But someone is preying on Derry’s girls, even as they escape their dysfunctional homes to party with their friends, unaware just how close the enemy lurks. The daughter of two cops — one her chief superintendent boss, the other now suffering from dementia — Lucy has an affinity for the vulnerable that serves her well. A third book is on its way.

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accidentWife, mom and CIA agent Kate Moore from Chris Pavone’s trippy first thriller The Expats has a cameo in his entertaining new novel The Accident (Crown, digital galley), but her boss, Berlin operative Hayden Gray, has a star turn. He’s trying to squash — by any means necessary — an anonymous manuscript before it can be published and its secrets revealed. New York literary agent Isabel Reed has the only known copy, a thick stack of pages titled “The Accident,” and she’s aware that she’s holding a future bestseller and a likely bombshell. The biography of global media mogul Charlie Wolfe alleges a Chappaquiddick-like accident in his past, a cover-up involving his best friend, and ties to covert U. S. intelligence operations. Before Isabel gives it to her old friend, editor Jeffrey Fielder, she swears him to secrecy, as well as her assistant. But copies of the manuscript soon begin to proliferate — a sexy sub-rights agent reads it on a flight to LA, where she’ll pitch it to a movie producer; a publisher trying to hold on to the family business sees it as a ticket to success, but he wants a veteran copy editor to fact-check it asap. All of these people are in grave danger; some will die. Meanwhile in Zurich, the anonymous author is pursuing his own agenda, including plastic surgery and hidden bank accounts. Pavone, who previously worked in publishing, offers a clever secret agent/book agent tale that benefits from his insider knowledge. But pay attention. As in The Expats, he’s quite the trickster. The body count is high.

weightIf you’re missing the rural noir of HBO’s True Detective or wishing Gillian Flynn would hurry up with a new thriller, check out Laura McHugh’s first novel, The Weight of Blood (Spiegal & Grau/Random House, digital galley). Set in the secluded “hollers” of the Ozark Mountains, the novel focuses on the close-knit Dane family — teenage Lucy, her father Carl, his older brother Crete — and the mysterious disappearances of two girls a generation apart. When the body of Lucy’s old school pal Cheri turns up creekside near Dane property, Lucy feels guilty for not having been a better friend, and she begins asking questions of the locals after finding a necklace in a trashed trailer. At the same time, she wonders about her mother Lila, a lovely outsider who disappeared 15 years ago. She might as well poke a nest of snakes. Secrets begin slithering out.  McHugh shifts the narrative voice among the main characters in the present and Lila in the past; eventually, they intersect. Lila proves the most riveting storyteller, but others such as midwife Birdie provide local color and perspective. It’s Birdie who tells Lucy: “You grow up feeling the weight of blood, of family. There’s no forsaking kin. But you can’t help when kin forsakes you or strangers come to be family.”

wivesWhen plastic surgeon John Taylor dies in a Palo Alto hotel, his secret comes out — he had three different wives in three different cities. In Alice LaPlante’s character-driven A Circle of Wives (Grove Atlantic, digital galley), the narrative rotates among the three women who loved the charismatic and compassionate Taylor and the young detective investigating Taylor’s suspicious death. Detective Samantha Adams has to fight her superiors to keep her on the case, but she’s certain the wives — or at least one of them — was responsible for the good doctor’s death. Was it status-conscious Deborah, the first wife who knew of her husband’s bigamy and even assisted in his complicated living arrangements? Or is it Mother Earth-type MJ, with an affinity for gardening and a troubled brother? Or pehaps it’s Helen, the most recent wife, a reserved pediatric oncologist with a secret? Sam’s investigation casts a shadow on her own so-so relationship with graduate student Peter, and then everything changes when a glamorous woman comes forward claiming that she was Taylor’s fiancee, for whom he was willing to disavow all his wives. LaPlante crafts a satisfying puzzle.

outcastCrimes of the past appear to bleed into the present in Elly Griffiths’ intriguing The Outcast Dead (Houghton Mifflin, digital galley), which is often the case with forensic archaeologist Ruth Galloway. After uncovering the grave at Norwich Castle of the notorious Victorian murderess Mother Hook, hanged in 1867 for killing orphans in her care, Ruth is asked to participate in a TV series “Women Who Kill.” Ruth is reluctant — she’s decidedly not the put-together TV star type — but she’s persuaded by the program’s history consultant, an attractive American professor. DCI Harry Nelson, the married father of Ruth’s toddler daughter, doesn’t much like the professor, but he’s involved in two disturbing cases. One is a mother suspected of killing her infant children under the guise of crib death; the other a kidnapper known as “The Childminder.” One of these plots would be enough for most writers, but Griffiths deftly ties them together, along with the mystery of Mother Hook, and ratchets up the suspense when a child close to Ruth and Nelson is kidnapped.

littlegirlA kidnapper is also at work in Brian McGilloway’s Little Girl Lost (Harper Impulse, digital galley), the involving first entry in a new series featuring police detective Lucy Black of Derry, Northern Ireland. The title could refer to the shivering girl found in the midst of a snowy midwinter woods with someone else’s blood on her hands. Traumatized by her experience, the unidentified child bonds with Lucy, who would rather be working the McLaughlin case. Teenage Kate McLaughlin, daughter of a local real estate tycoon, is another missing girl, apparently kidnapped. The police force is concentrating all its efforts on finding Kate, even though Lucy suspects the cases are connected. But Lucy, at heart, is also a little girl lost, coping with her divorced dad’s dementia and her conflicted feelings about her mother, who is not just her boss but boss of the force. Two more Lucy Black thrillers are on the way. I’ll read them.

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