“On a Tuesday in May, in her thirty-fifth year, Rachel shot her husband dead.”
That’s the humdinger first line of the prologue to Since We Fell (Ecco, digital galley), Dennis Lehane’s new thrill ride of a novel that is as slick and unexpected as black ice. It reads almost like two books, with the first charting Rachel Childs growing up with a bitter single mother who refuses to divulge her father’s identity. After her mother dies when she’s in college, Rachel continues to look for her father, even as she becomes a successful TV news reporter in Boston and marries her producer. Then comes an on-air meltdown while on assignment in Haiti, and Rachel loses her career and her marriage. Debilitating anxiety attacks turn her into a shut-in until a chance encounter with a one-time private investigator she had briefly hired. Brian Delacroix is now a successful businessman who understands Rachel like no one else. She falls hard for him, and he for her. They marry and everything is going well, with Rachel gradually making solo trips into the city. It’s on one such foray that she spots Brian across the street in the rain. But Brian is on a flight to London. Isn’t he?
Uh-oh. This is a Dennis Lehane novel, after all. Remember Mystic River? Shutter Island? Gone, Baby, Gone? The reversals of fortune can make your head spin and your heart ache, and Since We Fell is no exception. Reflective Rachel must give way to action-figure Rachel as she finds herself caught in a conspiracy where nothing is what it seems. Nothing and no one. Trust me.
Megan Miranda’s The Perfect Stranger (Simon & Schuster, digital galley) is another of those twisty thrillers pivoting on questions of identity and appearances. Reporter Leah Stevens has to resign her newspaper job after her sources are questioned in a story about college suicides. She fortuitously runs into her former roommate, Emmy Grey, who suggests Leah accompany her to rural Pennsylvania for a fresh start as a high school teacher. Then a woman who resembles Leah is found bludgeoned at a nearby lake, and Emmy goes missing. Questioned by a police detective, Leah admits to being stalked by a fellow teacher and is drawn into the investigation, especially when she realizes how little she really knows of Emmy and how much of it is lies. Miranda, author of the very good All the Pretty Girls, gets a bit bogged down in Leah’s back story and a few too many coincidences, but this is smartly written psychological suspense.
So many more mysteries and thrillers out there. Don’t miss Fallout (HarperCollins, digital galley), in which Sara Paretsky sends the intrepid V.I. Warshawski and her golden retriever to Kansas on the trail of a young fillmmaker and an aging black actress. In Lawrence (where Paretsky grew up), V.I. finds evidence of long-ago crimes seeping into the present, both in the university town and a in nearby decommissioned missile silo. Agatha Christie fans will appreciate the locked-room aspects of G.M. Maillet’s Devil’s Breath (St. Martin’s Press), even though the room in this case is a luxury yacht. British spy-turned-Anglican priest Max Tudor comes on board after the body of a glamorous actress washes ashore. Everyone, it seems, had a motive for murder. Plum Sykes launches a comic murder series set in 1980s Oxford with Party Girls Die in Pearls (HarperCollins, digital galley), featuring freshman sleuth Ursula Flowerbottom and her new BFF, American Nancy Feingold. Ursula’s discovery of the body of a fashionable classmate sends the duo on a round of parties where they can look
their best while looking for a killer. Supremely silly fun and clothes to die for. In the surprising Long Black Veil (Crown, digital galley), Jennifer Finney Boylan offers a secretive leading character on a collision course with the past after the bones of a former classmate are discovered on the eerie grounds of an abandoned prison. And old bones also turn up in Sycamore (HarperCollins, digital galley), Bryn Chancellor’s interesting but overworked first novel. When word gets out about the skeletal remains found in a wash outside a small Arizona town, residents immediately think of 17-year-old Jess Winters, who disappeared 18 years ago. Chancellor moves back and forth in time and among various voices to explore the mystery of Jess herself and how her disappearance affected the town. Chancellor nails her teenagers but is less successful with the older characters, turning them elderly before their time.